Vilmos Aba-Novák - Hungarian Painter

 

Pacita Abad (1946-2004) was a Filipino-American artist who is best known for her colorful and dynamic abstract paintings. She was born in Basco, Batanes, Philippines, and grew up in a politically active family that supported the anti-Marcos movement.

Abad studied painting at the Corcoran School of Art in Washington, D.C., and later earned a master's degree in painting at New York University. She traveled extensively throughout her life, visiting more than 80 countries and living in several, including Ethiopia, Bangladesh, and Singapore.

Abad's paintings are characterized by their vibrant colors and bold brushstrokes. She often used bright, contrasting colors and incorporated a variety of textures and materials into her work, including fabrics, beads, and other found objects. Her paintings often explored themes of social justice, environmentalism, and human rights, and many of her works were inspired by her travels and experiences living in different countries.

In addition to her painting, Abad was also an accomplished printmaker and mixed media artist. She created a number of large-scale installations over the course of her career, including a series of painted and decorated jeepneys (colorful buses used for public transportation in the Philippines).

Abad's work was featured in many solo and group exhibitions throughout her lifetime, and she was widely regarded as one of the most important artists of her generation. She was also a prominent advocate for women's rights and social justice, and her work often reflected her activism.

Abad passed away in Singapore in 2004, but her legacy as an innovative and influential artist continues to be celebrated today. Her work can be found in the collections of many major museums around the world, including the Smithsonian American Art Museum, the National Gallery of Singapore, and the Museum of Contemporary Art in Sydney, Australia.

Pacita Abad was born on October 5, 1946, in Basco, Batanes, a small town in the northern Philippines. She was the fourth of ten children, and her family was politically active, supporting the anti-Marcos movement. Abad attended college at the University of the Philippines, where she studied painting and graduated in 1967 with a Bachelor of Fine Arts degree.

In 1970, Abad moved to the United States to study painting at the Corcoran School of Art in Washington, D.C. She later earned a master's degree in painting at New York University. During this time, Abad became involved in the feminist and civil rights movements, and her activism would influence much of her later work.

Throughout her life, Abad traveled extensively, visiting more than 80 countries and living in several, including Ethiopia, Bangladesh, and Singapore. Her travels and experiences living in different cultures had a significant impact on her work, and she often incorporated elements of local culture and traditions into her paintings.

Abad's paintings are known for their bright colors, bold brushstrokes, and use of mixed media. She often incorporated found objects, such as fabrics, beads, and shells, into her work, creating intricate and textured compositions. Her paintings often explored themes of social justice, environmentalism, and human rights, and many of her works were inspired by her travels and experiences living in different countries.

In addition to her painting, Abad was an accomplished printmaker and mixed media artist. She created a number of large-scale installations over the course of her career, including a series of painted and decorated jeepneys (colorful buses used for public transportation in the Philippines).

Abad's work was featured in many solo and group exhibitions throughout her lifetime, including shows at the National Museum of Women in the Arts in Washington, D.C., and the Singapore Art Museum. She was widely regarded as one of the most important artists of her generation, and she was also a prominent advocate for women's rights and social justice.

Abad passed away on December 7, 2004, in Singapore, at the age of 58. Her legacy as an innovative and influential artist continues to be celebrated today, and her work can be found in the collections of many major museums around the world. In 2010, the Pacita Abad Art Estate was established to promote her work and legacy.

In addition to her artistic accomplishments, Pacita Abad was also known for her activism and advocacy work. She was a vocal supporter of women's rights, environmentalism, and human rights, and her paintings often reflected these concerns. Abad was particularly concerned about the impact of environmental degradation on indigenous peoples, and she worked to raise awareness about these issues through her art.

Abad was also committed to supporting emerging artists, particularly women artists, and she mentored and supported many young artists throughout her career. In 1984, she co-founded the Asian American Women Artists Association in San Francisco, which aimed to provide a platform for Asian American women artists to exhibit their work and advocate for their rights.

Throughout her life, Abad was recognized for her artistic and advocacy work. She received numerous awards and honors, including a Fulbright Scholarship, a Rockefeller Foundation residency, and a Distinguished Alumna Award from the University of the Philippines. In 2003, she was awarded the Philippine National Commission on the Role of Filipino Women's Gabriela Silang Award for Artistic Excellence.

Since her death, Abad's work has continued to be exhibited and celebrated around the world. In 2017, the National Museum of Women in the Arts in Washington, D.C., organized a retrospective of her work titled "Pacita Abad: A Million Things to Say," which featured over 50 of her paintings and mixed media works. Today, her work can be found in the collections of many major museums, including the Smithsonian American Art Museum, the National Gallery of Singapore, and the Museum of Contemporary Art in Sydney, Australia.

Pacita Abad - Philippine painter

 

Pacita Abad (1946-2004) was a Filipino-American artist who is best known for her colorful and dynamic abstract paintings. She was born in Basco, Batanes, Philippines, and grew up in a politically active family that supported the anti-Marcos movement.

Abad studied painting at the Corcoran School of Art in Washington, D.C., and later earned a master's degree in painting at New York University. She traveled extensively throughout her life, visiting more than 80 countries and living in several, including Ethiopia, Bangladesh, and Singapore.

Abad's paintings are characterized by their vibrant colors and bold brushstrokes. She often used bright, contrasting colors and incorporated a variety of textures and materials into her work, including fabrics, beads, and other found objects. Her paintings often explored themes of social justice, environmentalism, and human rights, and many of her works were inspired by her travels and experiences living in different countries.

In addition to her painting, Abad was also an accomplished printmaker and mixed media artist. She created a number of large-scale installations over the course of her career, including a series of painted and decorated jeepneys (colorful buses used for public transportation in the Philippines).

Abad's work was featured in many solo and group exhibitions throughout her lifetime, and she was widely regarded as one of the most important artists of her generation. She was also a prominent advocate for women's rights and social justice, and her work often reflected her activism.

Abad passed away in Singapore in 2004, but her legacy as an innovative and influential artist continues to be celebrated today. Her work can be found in the collections of many major museums around the world, including the Smithsonian American Art Museum, the National Gallery of Singapore, and the Museum of Contemporary Art in Sydney, Australia.

Pacita Abad was born on October 5, 1946, in Basco, Batanes, a small town in the northern Philippines. She was the fourth of ten children, and her family was politically active, supporting the anti-Marcos movement. Abad attended college at the University of the Philippines, where she studied painting and graduated in 1967 with a Bachelor of Fine Arts degree.

In 1970, Abad moved to the United States to study painting at the Corcoran School of Art in Washington, D.C. She later earned a master's degree in painting at New York University. During this time, Abad became involved in the feminist and civil rights movements, and her activism would influence much of her later work.

Throughout her life, Abad traveled extensively, visiting more than 80 countries and living in several, including Ethiopia, Bangladesh, and Singapore. Her travels and experiences living in different cultures had a significant impact on her work, and she often incorporated elements of local culture and traditions into her paintings.

Abad's paintings are known for their bright colors, bold brushstrokes, and use of mixed media. She often incorporated found objects, such as fabrics, beads, and shells, into her work, creating intricate and textured compositions. Her paintings often explored themes of social justice, environmentalism, and human rights, and many of her works were inspired by her travels and experiences living in different countries.

In addition to her painting, Abad was an accomplished printmaker and mixed media artist. She created a number of large-scale installations over the course of her career, including a series of painted and decorated jeepneys (colorful buses used for public transportation in the Philippines).

Abad's work was featured in many solo and group exhibitions throughout her lifetime, including shows at the National Museum of Women in the Arts in Washington, D.C., and the Singapore Art Museum. She was widely regarded as one of the most important artists of her generation, and she was also a prominent advocate for women's rights and social justice.

Abad passed away on December 7, 2004, in Singapore, at the age of 58. Her legacy as an innovative and influential artist continues to be celebrated today, and her work can be found in the collections of many major museums around the world. In 2010, the Pacita Abad Art Estate was established to promote her work and legacy.

Hans von Aachen - German painter

 

Hans von Aachen (1552-1615) was a German painter who is best known for his Mannerist-style portraits and mythological scenes. He was born in Cologne, Germany, and trained as an artist in Italy, where he was influenced by the works of Titian and Tintoretto.

After returning to Germany in the late 1570s, von Aachen became a court painter for the Bavarian dukes and later for Emperor Rudolf II in Prague. He was highly regarded for his ability to capture the likeness of his subjects and his skill in depicting intricate details in his paintings.

Von Aachen's paintings often featured mythological and allegorical themes, with figures shown in dramatic and complex compositions. He was known for his use of vivid colors, ornate costumes, and richly detailed backgrounds.

In addition to his paintings, von Aachen was also a skilled draftsman and printmaker. He created a number of etchings and engravings over the course of his career, many of which were inspired by his paintings.

Von Aachen's work had a significant impact on the development of European art in the late 16th and early 17th centuries. His paintings and prints were widely circulated and influential, and his style had a lasting impact on the work of later artists.

Hans von Aachen died in Prague in 1615, and his legacy as one of the great painters of the Mannerist period continues to be celebrated today. His work can be found in the collections of many major museums around the world.

Hans von Aachen was born in Cologne, Germany, in 1552. He received his initial training in painting from his father, who was also an artist. In his early twenties, von Aachen traveled to Italy, where he studied with the painter Giuseppe Arcimboldo in Venice and later with the artist Giovanni Battista Naldini in Florence.

After returning to Germany in the late 1570s, von Aachen began working as a court painter for the Bavarian dukes. He later moved to Prague to work for Emperor Rudolf II, where he became one of the most important painters at the court. Von Aachen remained in Prague for the rest of his life, and he was one of the leading artists of the city's vibrant artistic scene.

Von Aachen's paintings are characterized by their intricate compositions, their use of bright colors, and their ornate details. He often depicted mythological scenes and allegorical themes, and his work was highly regarded for its technical skill and attention to detail.

In addition to his paintings, von Aachen was also an accomplished draftsman and printmaker. He created a number of etchings and engravings, many of which were based on his own paintings.

Von Aachen's work had a significant impact on the development of European art in the late 16th and early 17th centuries. His style was influential among artists in Germany, Austria, and Italy, and his paintings and prints were widely circulated and admired throughout Europe.

Hans von Aachen died in Prague in 1615, and his legacy as one of the great painters of the Mannerist period continues to be celebrated today. His work can be found in the collections of many major museums around the world, including the Kunsthistorisches Museum in Vienna, the National Gallery of Art in Washington, D.C., and the Hermitage Museum in St. Petersburg.

Herb Aach, American painter

 

Herb Aach was born on December 14, 1923, in Cologne, Germany. His father was a sculptor and his mother was a musician. The family moved to New York City in 1938, where Aach studied at the National Academy of Design and the Art Students League.

During World War II, Aach served in the U.S. Army, and afterwards he continued his studies at the Brooklyn Museum Art School. In the 1950s, he became associated with the Abstract Expressionist movement, which was characterized by its emphasis on spontaneous, gestural painting.

Aach's early work was heavily influenced by the work of Mark Rothko, and his paintings from this period often featured large areas of color with subtle gradations and variations. Later in his career, he began to explore the properties of light and space in his work, using unusual pigments and techniques to create highly textured and visually stunning paintings.

In addition to his artistic practice, Aach was also a respected art educator. He taught at a number of institutions, including the Maryland Institute College of Art, the Brooklyn Museum Art School, and Queens College. Aach was also involved in art activism and was a member of the Art Workers' Coalition, which advocated for greater representation of artists in museums and galleries.

Aach received numerous awards and accolades throughout his career, including a Guggenheim Fellowship in 1963. His work can be found in the collections of many major museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Hirshhorn Museum and Sculpture Garden.

Aach died of cancer on March 13, 1985, in New York City.

During his career, Herb Aach became known for his unique approach to color and his use of non-traditional materials in his paintings. He was interested in the properties of light and color, and his work often featured highly saturated hues and strong contrasts.

Aach's use of unusual pigments was an important aspect of his work. He experimented with a wide variety of materials, including ground glass, pulverized lava, and even pulverized eggshells. He would mix these materials with traditional artist pigments to create unique and highly textured surfaces in his paintings.

In addition to his painting, Aach was also an accomplished printmaker. He created a number of lithographs and screenprints over the course of his career, often using a similar approach to color and composition as in his paintings.

Aach's work was featured in many solo and group exhibitions throughout his lifetime, and he was considered an important figure in the Abstract Expressionist movement. His work continues to be highly regarded by art critics and collectors today.

Overall, Herb Aach was an important artist of the 20th century, known for his innovative approach to color and his unique use of materials in his paintings. His work continues to influence contemporary artists and is celebrated for its vibrancy, texture, and beauty.